Gustav Klimt two girls with an oleander Painting
Serious objections,' remarked the Provincial Mayor, with an air of impartiality, turning towards the Time Traveller.
`Not a bit,' said the Time Traveller, and, to the Psychologist: `You think. You can explain that. It's presentation below the threshold, you know, diluted presentation.'
`Of course,' said the Psychologist, and reassured us. `That's a simple point of psychology. I should have thought of it. It's plain enough, and
Gustav Klimt two girls with an oleander Painting
helps the paradox delightfully. We cannot see it, nor can we appreciate this machine, any more than we can the spoke of a wheel spinning, or a bullet flying through the air. If it is travelling through time fifty times or a hundred times faster than we are, if it gets through a minute while we get through a second, the impression it creates will of course be only one-fiftieth or one-hundredth of what it would make if it were not travelling in time. That's plain enough.' He passed his hand through the space in which the machine had been. `You see?' he said, laughing.
Art Painting
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