Gustav Klimt
(July 14, 1862 – February 6, 1918)
Gustav Klimt was an Austrian Symbolist painter and one of the most prominent members of the Vienna Art Nouveau (Vienna Secession) movement. His major works include paintings, murals, sketches and other art objects, many of which are on display in the Vienna Secession gallery. Klimt's primary subject was the female body, and his works are marked by a frank eroticism--nowhere is this more apparent than in his numerous drawings in pencil (see Mulher sentada, below). These female subjects, whether formal portraits or indolent nudes, invariably display a highly sensitized fin de siècle elegance.
Gustav Klimt was born in Baumgarten, near Vienna, Austria, the second of seven children-- three boys and four girls.[2] His father, Ernst Klimt, was a gold engraver, albeit financially unsuccessful, who married Anna Klimt (née Finster). Klimt lived in poverty for most of his childhood. Klimt was enrolled, at 14, in the Vienna School of Arts and Crafts (Kunstgewerbeschule) in 1876, where he studied until 1883, and received training as an architectural decorator. In 1877 his brother Ernst, who, like his father, would become an engraver, also enrolled in the school. The two brothers and their friend Franz Matsch began working together and by 1880 the three had received numerous commissions. Klimt began his professional career painting interior murals in large public buildings on the Ringstraße.
In 1888 Klimt received the Golden order of Merit from Emperor Franz Josef I of Austria for his contributions to art. He also became an honorary member of the University of Munich and the University of Vienna. In 1892 both his father and brother Ernst died. It was in the early 1890s that Klimt met Emilie Flöge, who, notwithstanding the artist's relationships with other women, was to be his companion until the end of his life.
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