The Painter's Honeymoon

The Painter's Honeymoon
the polish rider
The Sacrifice of Abraham painting
¡¡¡¡ The city of learning wore an estranged look, and he had lost all feeling for its associations. Yet as the sun made vivid lights and shades of the mullioned architecture of the facades, and drew patterns of the crinkled battlements on the young turf of the quadrangles, Jude thought he had never seen the place look more beautiful. He came to the street in which he had first beheld Sue. The chair she had occupied when, leaning over her ecclesiastical scrolls, a hog-hair brush in her hand, her girlish figure had arrested the gaze of his inquiring eyes, stood precisely in its former spot, empty. It was as if she were dead, and nobody had been found capable of succeeding her in that artistic pursuit. Hers was now the city phantom, while those of the intellectual and devotional worthies who had once moved him to emotion were no longer able to assert their presence there. ¡¡¡¡ However, here he was; and in fulfilment of his intention he went on to his former lodging in "Beersheba," near the ritualistic church of St. Silas. The old landlady who opened the door seemed glad to see him again, and bringing some lunch informed him that the builder who had employed him had called to inquire his address.