Monday, December 31, 2007

famous salvador dali painting

famous salvador dali painting
famous oil painting
famous angel painting
famous van gogh painting
'I don't know all I have done, in my fatuity,' said Mr. Wickfield, putting out his hands, as if to deprecate my condemnation. 'He knows best,' meaning Uriah Heep, 'for he has always been at my elbow, whispering me. You see the millstone that he is about my neck. You find him in my house, you find him in my business. You heard him, but a little time ago. What need have I to say more!' ¡¡¡¡'You haven't need to say so much, nor half so much, nor anything at all,' observed Uriah, half defiant, and half fawning. 'You wouldn't have took it up so, if it hadn't been for the wine. You'll think better of it tomorrow, sir. If I have said too much, or more than I meant, what of it? I haven't stood by it!' ¡¡¡¡The door opened, and Agnes, gliding in, without a vestige of colour in her face, put her arm
oil painting
round his neck, and steadily said, 'Papa, you are not well. Come with me!' ¡¡¡¡He laid his head upon her shoulder, as if he were oppressed with heavy shame, and went out with her. Her eyes met mine for but an instant, yet I saw how much she knew of what had passed. ¡¡¡¡'I didn't expect he'd cut up so rough, Master Copperfield,' said Uriah. 'But it's nothing. I'll be friends with him tomorrow. It's for his good. I'm umbly anxious for his good.' ¡¡¡¡I gave him no answer, and went upstairs into the quiet room where Agnes had so often sat beside me at my books. Nobody came near me until late at night. I took up a book, and tried to read. I heard the clocks strike twelve, and was still reading, without knowing what I read, when Agnes touched me.

famous picasso pablo painting

famous picasso pablo painting
famous frida kahlo painting
famous diego rivera painting
famous michelangelo painting
¡¡¡¡'Oh, Trotwood, Trotwood!'exclaimed Mr. Wickfield, wringing his hands. 'What I have come down to be, since I first saw you in this house! I was on my downward way then, but the dreary, dreary road I have traversed since! Weak indulgence has ruined me. Indulgence in remembrance, and indulgence in forgetfulness. My natural grief for my child's mother turned to disease; my natural love for my child turned to disease. I have infected everything I touched. I have brought misery on what I dearly love, I know -you know! I thought it possible that I could truly love one creature in the world, and not love the rest; I thought it possible
oil painting
that I could truly mourn for one creature gone out of the world, and not have some part in the grief of all who mourned. Thus the lessons of my life have been perverted! I have preyed on my own morbid coward heart, and it has preyed on me. Sordid in my grief, sordid in my love, sordid in my miserable escape from the darker side of both, oh see the ruin I am, and hate me, shun me!' ¡¡¡¡He dropped into a chair, and weakly sobbed. The excitement into which he had been roused was leaving him. Uriah came out of his corner.

abstract painting picture

abstract painting picture
nature abstract painting
decorative abstract art painting
abstract nude painting
¡¡¡¡He pointed to Uriah, pale and glowering in a corner, evidently very much out in his calculations, and taken by surprise. ¡¡¡¡'Look at my torturer,' he replied. 'Before him I have step by step abandoned name and reputation, peace and quiet, house and home.' ¡¡¡¡'I have kept your name and reputation for you, and your peace and quiet, and your house and home too,' said Uriah, with a sulky, hurried, defeated air of compromise. 'Don't be foolish, Mr. Wickfield. If I have gone a little beyond what you were prepared for, I can go back, I suppose? There's no harm done.' ¡¡¡¡'I looked for single motives in everyone,' said Mr. Wickfield, and I was satisfied I had bound him to me by motives of interest. But see what he is - oh, see what he is!' ¡¡¡¡'You had better stop him, Copperfield,
oil painting
if you can,' cried Uriah, with his long forefinger pointing towards me. 'He'll say something presently - mind you! - he'll be sorry to have said afterwards, and you'll be sorry to have heard!' ¡¡¡¡'I'll say anything!' cried Mr. Wickfield, with a desperate air. 'Why should I not be in all the world's power if I am in yours?' ¡¡¡¡'Mind! I tell you!' said Uriah, continuing to warn me. 'If you don't stop his mouth, you're not his friend! Why shouldn't you be in all the world's power, Mr. Wickfield? Because you have got a daughter. You and me know what we know, don't we? Let sleeping dogs lie - who wants to rouse 'em? I don't. Can't you see I am as umble as I can be? I tell you, if I've gone too far, I'm sorry. What would you have, sir?'

abstract woman painting

abstract woman painting
african abstract painting
figurative abstract painting
abstract painting picture
Spare me from ever again hearing such a cry, as that with which her father rose up from the table! 'What's the matter?' said Uriah, turning of a deadly colour. 'You are not gone mad, after all, Mr. Wickfield, I hope? If I say I've an ambition to make your Agnes my Agnes, I have as good a right to it as another man. I have a better right to it than any other man!' ¡¡¡¡I had my arms round Mr. Wickfield, imploring him by everything that I could think of, oftenest of all by his love for Agnes, to calm himself a little. He was mad for the moment; tearing out his hair, beating his head, trying to force me from him, and to force himself from me, not answering a word, not looking at or seeing anyone; blindly striving for he knew not what, his face all staring and distorted - a frightfu
oil painting
l spectacle. ¡¡¡¡I conjured him, incoherently, but in the most impassioned manner, not to abandon himself to this wildness, but to hear me. I besought him to think of Agnes, to connect me with Agnes, to recollect how Agnes and I had grown up together, how I honoured her and loved her, how she was his pride and joy. I tried to bring her idea before him in any form; I even reproached him with not having firmness to spare her the knowledge of such a scene as this. I may have effected something, or his wildness may have spent itself; but by degrees he struggled less, and began to look at me - strangely at first, then with recognition in his eyes. At length he said, 'I know, Trotwood! My darling child and you - I know! But look at him!'

leonardo da vinci painting

leonardo da vinci painting
leonardo da vinci the last supper
mona lisa painting
mona lisa smile ¡¡¡¡A silence succeeding, I was undecided whether to go or stay. At length I was moving quietly towards the door, with the intention of saying that perhaps I should consult his feelings best by withdrawing: when he said, with his hands in his coat pockets, into which it was as much as he could do to get them; and with what I should call, upon the whole, a decidedly pious air: ¡¡¡¡'You are probably aware, Mr. Copperfield, that I am not altogether destitute of worldly possessions, and that my daughter is my nearest and dearest relative?' ¡¡¡¡I hurriedly made him a reply to the effect, that I hoped the error into which I had been
oil painting
betrayed by the desperate nature of my love, did not induce him to think me mercenary too? ¡¡¡¡'I don't allude to the matter in that light,' said Mr. Spenlow. 'It would be better for yourself, and all of us, if you WERE mercenary, Mr. Copperfield - I mean, if you were more discreet and less influenced by all this youthful nonsense. No. I merely say, with quite another view, you are probably aware I have some property to bequeath to my child?' ¡¡¡¡I certainly supposed so. ¡¡¡¡'And you can hardly think,' said Mr. Spenlow, 'having experience of what we see, in the Commons here, every day, of the various unaccountable and negligent proceedings of men, in respect of their testamentary arrangements - of all subjects, the one on which perhaps the strangest revelations of human inconsistency are to be met with - but that mine are made?'

leonardo da vinci the last supper

leonardo da vinci the last supper
mona lisa painting
mona lisa smile
thomas kinkade gallery
letters, and throw them in the fire. Give me Miss Spenlow's letters to throw in the fire; and although our future intercourse must, you are aware, be restricted to the Commons here, we will agree to make no further mention of the past. Come, Mr. Copperfield, you don't want sense; and this is the sensible course.' ¡¡¡¡No. I couldn't think of agreeing to it. I was very sorry, but there was a higher consideration than sense. Love was above all earthly considerations, and I loved Dora to idolatry, and Dora loved me. I didn't exactly say so; I softened it down as much as I could; but I implied it, and I was resolute upon it. I don't think I
oil painting
made myself very ridiculous, but I know I was resolute. ¡¡¡¡'Very well, Mr. Copperfield,' said Mr. Spenlow, 'I must try my influence with my daughter.' ¡¡¡¡Miss Murdstone, by an expressive sound, a long drawn respiration, which was neither a sigh nor a moan, but was like both, gave it as her opinion that he should have done this at first. ¡¡¡¡'I must try,' said Mr. Spenlow, confirmed by this support, 'my influence with my daughter. Do you decline to take those letters, Mr. Copperfield?' For I had laid them on the table. ¡¡¡¡Yes. I told him I hoped he would not think it wrong, but I couldn't possibly take them from Miss Murdstone. ¡¡¡¡'Nor from me?' said Mr. Spenlow. ¡¡¡¡No, I replied with the profoundest respect; nor from him. ¡¡¡¡'Very well!' said Mr. Spenlow.

mona lisa painting

mona lisa painting
mona lisa smile
thomas kinkade gallery
thomas kinkade painting
¡¡¡¡'Very little, sir, I am afraid;' I answered, speaking to him as respectfully and sorrowfully as I felt; 'but pray believe me, I have considered my own worldly position. When I explained it to you, we were already engaged -' ¡¡¡¡'I BEG,' said Mr. Spenlow, more like Punch than I had ever seen him, as he energetically struck one hand upon the other - I could not help noticing that even in my despair; 'that YOU Will NOT talk to me of engagements, Mr. Copperfield!' ¡¡¡¡The otherwise immovable Miss Murdstone
oil painting
laughed contemptuously in one short syllable. ¡¡¡¡'When I explained my altered position to you, sir,' I began again, substituting a new form of expression for what was so unpalatable to him, 'this concealment, into which I am so unhappy as to have led Miss Spenlow, had begun. Since I have been in that altered position, I have strained every nerve, I have exerted every energy, to improve it. I am sure I shall improve it in time. Will you grant me time - any length of time? We are both so young, sir, -' ¡¡¡¡'You are right,' interrupted Mr. Spenlow, nodding his head a great many times, and frowning very much, 'you are both very young. It's all nonsense. Let there be an end of the nonsense. Take away those

thomas kinkade painting

thomas kinkade painting
thomas kinkade picture
van gogh painting
'You are very much to blame, sir,' said Mr. Spenlow, walking to and fro upon the hearth-rug, and emphasizing what he said with his whole body instead of his head, on account of the stiffness of his cravat and spine. 'You have done a stealthy and unbecoming action, Mr. Copperfield. When I take a gentleman to my house, no matter whether he is nineteen, twenty-nine, or ninety, I take him there in a spirit of confidence. If he abuses my confidence, he commits a dishonourable action, Mr. Copperfield.' ¡¡¡¡'I feel it, sir, I assure you,' I returned. 'But I never thought so, before. Sincerely, honestly, indeed, Mr. Spenlow, I never thought so, before. I love Miss Spenlow to that extent -' ¡¡¡¡'Pooh! nonsense!' said Mr. Spenlow, reddening. 'Pray don't tell me to my face tha
oil painting
t you love my daughter, Mr. Copperfield!' ¡¡¡¡'Could I defend my conduct if I did not, sir?' I returned, with all humility. ¡¡¡¡'Can you defend your conduct if you do, sir?' said Mr. Spenlow, stopping short upon the hearth-rug. 'Have you considered your years, and my daughter's years, Mr. Copperfield? Have you considered what it is to undermine the confidence that should subsist between my daughter and myself? Have you considered my daughter's station in life, the projects I may contemplate for her advancement, the testamentary intentions I may have with reference to her? Have you considered anything, Mr. Copperfield?'

Sunday, December 30, 2007

the polish rider

the polish rider
The Sacrifice of Abraham painting
The Three Ages of Woman
The Virgin and Child with St Anne
I may claim the merit of having originated the suggestion that the will should be looked for in the box. After some search, it was found in the box, at the bottom of a horse's nose-bag; wherein (besides hay) there was discovered an old gold watch, with chain and seals, which Mr. Barkis had worn on his wedding-day, and which had never been seen before or since; a silver tobacco-stopper, in the form of a leg; an imitation lemon, full of minute cups and saucers, which I have some idea Mr. Barkis must have purchased to present to me when I was a child, and afterwards found himself unable to part with; eighty-seven guineas and a half, in guineas and half-guineas; two hundred and ten pounds, in perfectly clean Bank notes; certain receipts for Bank of England stock; an old horseshoe, a bad shilling, a piece of camphor, and an oyster-shell. From the circumstance of the latter article having been much polis
oil painting
hed, and displaying prismatic colours on the inside, I conclude that Mr. Barkis had some general ideas about pearls, which never resolved themselves into anything definite. ¡¡¡¡For years and years, Mr. Barkis had carried this box, on all his journeys, every day. That it might the better escape notice, he had invented a fiction that it belonged to 'Mr. Blackboy', and was 'to be left with Barkis till called for'; a fable he had elaborately written on the lid, in characters now scarcely legible.

the night watch by rembrandt

the night watch by rembrandt
the Night Watch
The Nut Gatherers
The Painter's Honeymoon
¡¡¡¡Mr. Peggotty touched me, and whispered with much awe and reverence. 'They are both a-going out fast.' ¡¡¡¡'Barkis, my dear!' said Peggotty. ¡¡¡¡'C. P. Barkis,' he cried faintly. 'No better woman anywhere!' ¡¡¡¡'Look! Here's Master Davy!' said Peggotty. For he now opened his eyes. ¡¡¡¡I was on the point of asking him if he knew me, when he tried to stretch out his arm, and said to me, distinctly, with a pleasant smile: ¡¡¡¡'Barkis is willin'!' ¡¡¡¡And, it being low water, he went out with the tide. ¡¡¡¡ ¡¡¡¡¡¡¡¡CHAPTER 31 A GREATER LOSS ¡¡¡¡ It was not difficult for me, on Peggotty's solicitation, to resolve to stay where
oil painting
I was, until after the remains of the poor carrier should have made their last journey to Blunderstone. She had long ago bought, out of her own savings, a little piece of ground in our old churchyard near the grave of 'her sweet girl', as she always called my mother; and there they were to rest. ¡¡¡¡In keeping Peggotty company, and doing all I could for her (little enough at the utmost), I was as grateful, I rejoice to think, as even now I could wish myself to have been. But I am afraid I had a supreme satisfaction, of a personal and professional nature, in taking charge of Mr. Barkis's will, and expounding its contents.

The Kitchen Maid

The Kitchen Maid
The Lady of Shalott
the night watch by rembrandt
the Night Watch
of its safety by means of the divining rod I had seen him use, he had required to have it placed on the chair at the bed-side, where he had ever since embraced it, night and day. His arm lay on it now. Time and the world were slipping from beneath him, but the box was there; and the last words he had uttered were (in an explanatory tone) 'Old clothes!' ¡¡¡¡'Barkis, my dear!' said Peggotty, almost cheerfully: bending over him, while her brother and I stood at the bed's foot. 'Here's my dear boy - my dear boy, Master Davy, who brought us together, Barkis! That you sent messages by, you know! Won't you speak to Master Davy?' ¡¡¡¡He
oil painting
was as mute and senseless as the box, from which his form derived the only expression it had. ¡¡¡¡'He's a going out with the tide,' said Mr. Peggotty to me, behind his hand. ¡¡¡¡My eyes were dim and so were Mr. Peggotty's; but I repeated in a whisper, 'With the tide?' ¡¡¡¡'People can't die, along the coast,' said Mr. Peggotty, 'except when the tide's pretty nigh out. They can't be born, unless it's pretty nigh in - not properly born, till flood. He's a going out with the tide. It's ebb at half-arter three, slack water half an hour. If he lives till it turns, he'll hold his own till past the flood, and go out with the next tide.'

The Abduction of Psyche

The Abduction of Psyche
The British Are Coming
The Broken Pitcher
The Jewel Casket
The Kitchen Maid
Afterwards, when I went upstairs, as I passed the door of my little chamber, which was dark, I had an indistinct impression of her being within it, cast down upon the floor. But, whether it was really she, or whether it was a confusion of the shadows in the room, I don't know now. ¡¡¡¡I had leisure to think, before the kitchen fire, of pretty little Emily's dread of death - which, added to what Mr. Omer had told me, I took to be the cause of her being so unlike herself - and I had leisure, before Peggotty came down, even to think more leniently of the weakness of it: as I sat counting the ticking of the clock, and deepening my sense of the solemn hush around me. Peggotty took me in her arms, and blessed and thanked me over and over again for being such a comfort
oil painting
to her (that was what she said) in her distress. She then entreated me to come upstairs, sobbing that Mr. Barkis had always liked me and admired me; that he had often talked of me, before he fell into a stupor; and that she believed, in case of his coming to himself again, he would brighten up at sight of me, if he could brighten up at any earthly thing. ¡¡¡¡The probability of his ever doing so, appeared to me, when I saw him, to be very small. He was lying with his head and shoulders out of bed, in an uncomfortable attitude, half resting on the box which had cost him so much pain and trouble. I learned, that, when he was past creeping out of bed to open it, and past assuring himself

famous diego rivera painting

famous diego rivera painting
famous michelangelo painting
famous salvador dali painting
famous oil painting
¡¡¡¡There was a lovely garden to Mr. Spenlow's house; and though that was not the best time of the year for seeing a garden, it was so beautifully kept, that I was quite enchanted. There was a charming lawn, there were clusters of trees, and there were perspective walks that I could just distinguish in the dark, arched over with trellis-work, on which shrubs and flowers grew in the growing season. 'Here Miss Spenlow walks by herself,' I thought. 'Dear me!' ¡¡¡¡We went into the house, which was cheerfully lighted up, and into a hall where there were all sorts of hats, caps, great-coats, plaids, gloves, whips, and walking-sticks.
oil painting
'Where is Miss Dora?' said Mr. Spenlow to the servant. 'Dora!' I thought. 'What a beautiful name!' ¡¡¡¡We turned into a room near at hand (I think it was the identical breakfast-room, made memorable by the brown East Indian sherry), and I heard a voice say, 'Mr. Copperfield, my daughter Dora, and my daughter Dora's confidential friend!' It was, no doubt, Mr. Spenlow's voice, but I didn't know it, and I didn't care whose it was. All was over in a moment. I had fulfilled my destiny. I was a captive and a slave. I loved Dora Spenlow to distraction! She was more than human to me. She was a Fairy, a Sylph, I don't know what she was - anything that no one ever saw, and everything that everybody ever wanted. I was swallowed up in an abyss of love in an instant. There was no pausing on the brink; no looking down, or looking back; I was gone, headlong, before I had sense to say a word to her. ¡¡¡¡'I,' observed a well-remembered voice, when I had bowed and murmured something, 'have seen Mr. Copperfield before.'

abstract nude painting

abstract nude painting
abstract horse painting
famous picasso pablo painting
famous frida kahlo painting
cut, and played, and had talked to all the players about it, and now came fresh, as judges, to settle the matter to the satisfaction of everybody! Discontented people might talk of corruption in the Commons, closeness in the Commons, and the necessity of reforming the Commons, said Mr. Spenlow solemnly, in conclusion; but when the price of wheat per bushel had been highest, the Commons had been busiest; and a man might lay his hand upon his heart, and say this to the whole world, - 'Touch the Commons, and down comes the country!' ¡¡¡¡I listened to all this with attention; and though, I must say, I had my doubts whether the country was quite as much obliged to the Commons as Mr. Spenlow made out, I respectfully deferred to his opinion. That about the price of wheat per bushel, I modestly felt was too much for my strength, and quite settled the question. I have never, to this hour,
oil painting
got the better of that bushel of wheat. It has reappeared to annihilate me, all through my life, in connexion with all kinds of subjects. I don't know now, exactly, what it has to do with me, or what right it has to crush me, on an infinite variety of occasions; but whenever I see my old friend the bushel brought in by the head and shoulders (as he always is, I observe), I give up a subject for lost. ¡¡¡¡This is a digression. I was not the man to touch the Commons, and bring down the country. I submissively expressed, by my silence, my acquiescence in all I had heard from my superior in years and knowledge; and we talked about The Stranger and the Drama, and the pairs of horses, until we came to Mr. Spenlow's gate.

abstract woman painting

abstract woman painting
Gustav Klimt two girls with an oleander Painting
it in a lively and spirited manner, and expense was no consideration. Then, he launched into a general eulogium on the Commons. What was to be particularly admired (he said) in the Commons, was its compactness. It was the most conveniently organized place in the world. It was the complete idea of snugness. It lay in a nutshell. For example: You brought a divorce case, or a restitution case, into the Consistory. Very good. You tried it in the Consistory. You made a quiet little round game of it, among a family group, and you played it out at leisure. Suppose you were not satisfied with the Consistory, what did you do then? Why,
oil painting
you went into the Arches. What was the Arches? The same court, in the same room, with the same bar, and the same practitioners, but another judge, for there the Consistory judge could plead any court-day as an advocate. Well, you played your round game out again. Still you were not satisfied. Very good. What did you do then? Why, you went to the Delegates. Who were the Delegates? Why, the Ecclesiastical Delegates were the advocates without any business, who had looked on at the round game when it was playing in both courts, and had seen the cards shuffled, and

western art painting

western art painting
realism art painting
abstract acrylic painting
abstract seascape painting
¡¡¡¡We were very pleasant, going down, and Mr. Spenlow gave me some hints in reference to my profession. He said it was the genteelest profession in the world, and must on no account be confounded with the profession of a solicitor: being quite another sort of thing, infinitely more exclusive, less mechanical, and more profitable. We took things much more easily in the Commons than they could be taken anywhere else, he observed, and that set us, as a privileged class, apart. He said it was impossible to conceal the disagreeable fact, that we were chiefly employed by solicitors; but he gave me to understand that they were an inferior race of men,
oil painting
universally looked down upon by all proctors of any pretensions. ¡¡¡¡I asked Mr. Spenlow what he considered the best sort of professional business? He replied, that a good case of a disputed will, where there was a neat little estate of thirty or forty thousand pounds, was, perhaps, the best of all. In such a case, he said, not only were there very pretty pickings, in the way of arguments at every stage of the proceedings, and mountains upon mountains of evidence on interrogatory and counter-interrogatory (to say nothing of an appeal lying, first to the Delegates, and then to the Lords), but, the costs being pretty sure to come out of the estate at last, both sides went at

Friday, December 28, 2007

painting idea

painting idea
floral oil painting
michelangelo painting
oil painting artist
¡¡¡¡'My dear friend Copperfield,' said Mr. Micawber, 'accidents will occur in the best-regulated families; and in families not regulated by that pervading influence which sanctifies while it enhances the - a - I would say, in short, by the influence of Woman, in the lofty character of Wife, they may be expected with confidence, and must be borne with philosophy. If you will allow me to take the liberty of remarking that there are few comestibles better, in their way, than a Devil, and that I believe, with a little division of labour, we could accomplish a good one if the young person in attendance could produce a gridiron, I would put it t
oil painting
o you, that this little misfortune may be easily repaired.' ¡¡¡¡There was a gridiron in the pantry, on which my morning rasher of bacon was cooked. We had it in, in a twinkling, and immediately applied ourselves to carrying Mr. Micawber's idea into effect. The division of labour to which he had referred was this: - Traddles cut the mutton into slices; Mr. Micawber (who could do anything of this sort to perfection) covered them with pepper, mustard, salt, and cayenne; I put them on the gridiron, turned them with a fork, and took them off, under Mr. Micawber's direction; and Mrs. Micawber heated, and continually stirred, some mushroom ketchup in a little saucepan. When we had slices enough done to begin upon, we fell-to, with our sleeves still tucked up at the wrist, more slices sputtering and blazing on the fire, and our attention divided between the mutton on our plates, and the mutton then preparing.

China oil paintings

China oil paintings
contemporary abstract painting
painting idea
floral oil painting
him to the lemons. His recent despondency, not to say despair, was gone in a moment. I never saw a man so thoroughly enjoy himself amid the fragrance of lemon-peel and sugar, the odour of burning rum, and the steam of boiling water, as Mr. Micawber did that afternoon. It was wonderful to see his face shining at us out of a thin cloud of these delicate fumes, as he stirred, and mixed, and tasted, and looked as if he were making, instead of punch, a fortune for his family down to the latest posterity. As to Mrs. Micawber, I don't know whether it was the effect of the cap, or the lavender-water, or the pins, or the fire, or the wax-candles, but she came out of my room, comparatively speaking, lovely. And the lark was never gayer than that excellent woman. ¡¡¡¡
oil painting
I suppose - I never ventured to inquire, but I suppose - that Mrs. Crupp, after frying the soles, was taken ill. Because we broke down at that point. The leg of mutton came up very red within, and very pale without: besides having a foreign substance of a gritty nature sprinkled over it, as if if had had a fall into the ashes of that remarkable kitchen fireplace. But we were not in condition to judge of this fact from the appearance of the gravy, forasmuch as the 'young gal' had dropped it all upon the stairs - where it remained, by the by, in a long train, until it was worn out. The pigeon-pie was not bad, but it was a delusive pie: the crust being like a disappointing head, phrenologically speaking: full of lumps and bumps, with nothing particular underneath. In short, the banquet was such a failure that I should have been quite unhappy - about the failure, I mean, for I was always unhappy about Dora - if I had not been relieved by the great good humour of my company, and by a bright suggestion from Mr. Micawber

oil paintings

oil paintings
landscape oil painting
original oil painting
flower oil painting
¡¡¡¡'My dear,' returned Mr. Micawber with sudden seriousness, 'I have no desire to answer for others. I am too well aware that when, in the inscrutable decrees of Fate, you were reserved for me, it is possible you may have been reserved for one, destined, after a protracted struggle, at length to fall a victim to pecuniary involvements of a complicated nature. I understand your allusion, my love. I regret it, but I can bear it.' ¡¡¡¡'Micawber!' exclaimed Mrs. Micawber, in tears. 'Have I deserved this! I, who never have deserted you; who never WILL desert you, Micawber!' 'My love,' said Mr. Micawber, much affected, 'you will forgive, and our old and tried friend Copperfield will, I am sure, forgive, the momentary laceration of a wounded spirit, made sensitive by a recent collision
oil painting
with the Minion of Power - in other words, with a ribald Turncock attached to the water-works - and will pity, not condemn, its excesses.' ¡¡¡¡Mr. Micawber then embraced Mrs. Micawber, and pressed my hand; leaving me to infer from this broken allusion that his domestic supply of water had been cut off that afternoon, in consequence of default in the payment of the company's rates. ¡¡¡¡To divert his thoughts from this melancholy subject, I informed Mr. Micawber that I relied upon him for a bowl of punch, and led him to the lemons. His recent despondency, not to say despair, was gone in a moment. I never saw a man so thoroughly enjoy himself amid the fragrance of lemon-peel and sugar, the odour of burning rum

picture of the last supper

picture of the last supper
leonardo da vinci last supper painting
leonardo da vinci mona lisa
leonardo da vinci painting
Mr. Micawber was very anxious that I should stay to dinner. I should not have been averse to do so, but that I imagined I detected trouble, and calculation relative to the extent of the cold meat, in Mrs. Micawber's eye. I therefore pleaded another engagement; and observing that Mrs. Micawber's spirits were immediately lightened, I resisted all persuasion to forego it. ¡¡¡¡But I told Traddles, and Mr. and Mrs. Micawber, that before I could think of leaving, they must appoint a day when they would come and dine with me. The occupations to which Traddles stood pledged, rendered it necessary to fix a somewhat distant one; but an appointment was made for the purpose, that suited us all, and then I took my leave. ¡¡¡¡Mr. Micawber, under pretence of showing m
oil painting
 e a nearer way than that by which I had come, accompanied me to the corner of the street; being anxious (he explained to me) to say a few words to an old friend, in confidence. ¡¡¡¡'My dear Copperfield,' said Mr. Micawber, 'I need hardly tell you that to have beneath our roof, under existing circumstances, a mind like that which gleams - if I may be allowed the expression - which gleams - in your friend Traddles, is an unspeakable comfort. With a washerwoman, who exposes hard-bake for sale in her parlour-window, dwelling next door, and a Bow-street officer residing over the way, you may imagine that his society is a source of consolation to myself and to Mrs. Micawber. I am at present, my dear Copperfield, engaged in the sale of corn upon commission. It is not an avocation

leonardo da vinci mona lisa

leonardo da vinci mona lisa
leonardo da vinci painting
leonardo da vinci the last supper
mona lisa painting
expected events should turn up; when it has been necessary that I should fall back, before making what I trust I shall not be accused of presumption in terming - a spring. The present is one of those momentous stages in the life of man. You find me, fallen back, FOR a spring; and I have every reason to believe that a vigorous leap will shortly be the result.' ¡¡¡¡I was expressing my satisfaction, when Mrs. Micawber came in; a little more slatternly than she used to be, or so she seemed now, to my unaccustomed eyes, but still with some preparation of herself for company, and with a pair of brown gloves on. ¡¡¡¡'My dear,' said Mr. Micawber,
oil painting
leading her towards me, 'here is a gentleman of the name of Copperfield, who wishes to renew his acquaintance with you.' ¡¡¡¡It would have been better, as it turned out, to have led gently up to this announcement, for Mrs. Micawber, being in a delicate state of health, was overcome by it, and was taken so unwell, that Mr. Micawber was obliged, in great trepidation, to run down to the water-butt in the backyard, and draw a basinful to lave her brow with. She presently revived, however, and was really pleased to see me. We had half-an-hour's talk, all together; and I asked her about the twins, who, she said, were 'grown great creatures'; and after Master and Miss Micawber, whom she described as 'absolute giants', but they were not produced on that occasion.

leonardo da vinci painting

leonardo da vinci painting
leonardo da vinci the last supper
mona lisa painting
mona lisa smile
¡¡¡¡'And how is our good friend the Doctor, Copperfield?' said Mr. Micawber, 'and all the circle at Canterbury?' ¡¡¡¡'I have none but good accounts of them,' said I. ¡¡¡¡'I am most delighted to hear it,' said Mr. Micawber. 'It was at Canterbury where we last met. Within the shadow, I may figuratively say, of that religious edifice immortalized by Chaucer, which was anciently the resort of Pilgrims from the remotest corners of - in short,' said Mr. Micawber, 'in the immediate neighbourhood of the Cathedral.' ¡¡¡¡I replied that it was. Mr. Micawber continued talking as volubly as he could; but not, I thought, without s
oil painting
howing, by some marks of concern in his countenance, that he was sensible of sounds in the next room, as of Mrs. Micawber washing her hands, and hurriedly opening and shutting drawers that were uneasy in their action. ¡¡¡¡'You find us, Copperfield,' said Mr. Micawber, with one eye on Traddles, 'at present established, on what may be designated as a small and unassuming scale; but, you are aware that I have, in the course of my career, surmounted difficulties, and conquered obstacles. You are no stranger to the fact, that there have been periods of my life, when it has been requisite that I should pause, until certain

mona lisa painting

mona lisa painting
mona lisa smile
thomas kinkade gallery
thomas kinkade painting
'I beg your pardon, Mr. Traddles,' said Mr. Micawber, with the old roll in his voice, as he checked himself in humming a soft tune. 'I was not aware that there was any individual, alien to this tenement, in your sanctum.' ¡¡¡¡Mr. Micawber slightly bowed to me, and pulled up his shirt-collar. ¡¡¡¡'How do you do, Mr. Micawber?' said I. ¡¡¡¡'Sir,' said Mr. Micawber, 'you are exceedingly obliging. I am in statu quo.' ¡¡¡¡'And Mrs. Micawber?' I pursued. ¡¡¡¡'Sir,' said Mr. Micawber, 'she is also, thank God, in statu quo.' ¡¡¡¡'And the children, Mr. Micawber?' ¡¡¡¡'Sir,' said Mr. Micawber, 'I rejoice to reply that they are, likewise, in the enjoyment of salubrity.' ¡¡¡¡All this time, Mr. Micawber had not known me in the least, though he had stood face to face with me.
oil painting
But now, seeing me smile, he examined my features with more attention, fell back, cried, 'Is it possible! Have I the pleasure of again beholding Copperfield!' and shook me by both hands with the utmost fervour. ¡¡¡¡'Good Heaven, Mr. Traddles!' said Mr. Micawber, 'to think that I should find you acquainted with the friend of my youth, the companion of earlier days! My dear!' calling over the banisters to Mrs. Micawber, while Traddles looked (with reason) not a little amazed at this description of me. 'Here is a gentleman in Mr. Traddles's apartment, whom he wishes to have the pleasure of presenting to you, my love!' ¡¡¡¡Mr. Micawber immediately reappeared, and shook hands with me again.

Thursday, December 27, 2007

painting idea

painting idea
floral oil painting
michelangelo painting
oil painting artist
¡¡¡¡The tune across the yard that seemed as if it never had left off - alas! it was the tune that never DOES leave off - was beating, softly, all the while. ¡¡¡¡'Wouldn't you like to step in,' said Mr. Omer, 'and speak to her? Walk in and speak to her, sir! Make yourself at home!' ¡¡¡¡I was too bashful to do so then - I was afraid of confusing her, and I was no less afraid of confusing myself.- but I informed myself of the hour at which she left of an evening, in order that our visit might be timed accordingly; and taking leave of Mr. Omer, and his pretty daughter, and her little children, went away to my dear old Peggotty's. ¡¡¡¡Here she was, in the tiled kitchen, cooking dinner! The moment I knocked at the door she opened it, and asked me what I pleased to want. I looked at her
oil painting
with a smile, but she gave me no smile in return. I had never ceased to write to her, but it must have been seven years since we had met. ¡¡¡¡'Is Mr. Barkis at home, ma'am?' I said, feigning to speak roughly to her. ¡¡¡¡'He's at home, sir,' returned Peggotty, 'but he's bad abed with the rheumatics.' ¡¡¡¡'Don't he go over to Blunderstone now?' I asked. ¡¡¡¡'When he's well he do,' she answered. ¡¡¡¡'Do YOU ever go there, Mrs. Barkis?' ¡¡¡¡She looked at me more attentively, and I noticed a quick movement of her hands towards each other. ¡¡¡¡'Because I want to ask a question about a house there, that they call the - what is it? - the Rookery,' said I.

oil painting artist

oil painting artist
nude oil painting
oil painting from picture
famous painting
'So when she got a situation,' said Mr. Omer, 'to keep a fractious old lady company, they didn't very well agree, and she didn't stop. At last she came here, apprenticed for three years. Nearly two of 'em are over, and she has been as good a girl as ever was. Worth any six! Minnie, is she worth any six, now?' ¡¡¡¡'Yes, father,' replied Minnie. 'Never say I detracted from her!' ¡¡¡¡'Very good,' said Mr. Omer. 'That's right. And so, young gentleman,' he added, after a few moments' further rubbing of his chin, 'that you may not consider me long-winded as well as short-breathed, I believe that's all about it.' ¡¡¡¡As they had spoken in
oil painting
a subdued tone, while speaking of Em'ly, I had no doubt that she was near. On my asking now, if that were not so, Mr. Omer nodded yes, and nodded towards the door of the parlour. My hurried inquiry if I might peep in, was answered with a free permission; and, looking through the glass, I saw her sitting at her work. I saw her, a most beautiful little creature, with the cloudless blue eyes, that had looked into my childish heart, turned laughingly upon another child of Minnie's who was playing near her; with enough of wilfulness in her bright face to justify what I had heard; with much of the old capricious coyness lurking in it; but with nothing in her pretty looks, I am sure, but what was meant for goodness and for happiness, and what was on a good and ¡¡¡¡happy course.

nude oil painting

nude oil painting
oil painting from picture
famous painting
claude monet painting
¡¡¡¡'You see,' he said, wiping his head, and breathing with difficulty, 'she hasn't taken much to any companions here; she hasn't taken kindly to any particular acquaintances and friends, not to mention sweethearts. In consequence, an ill-natured story got about, that Em'ly wanted to be a lady. Now my opinion is, that it came into circulation principally on account of her sometimes saying, at the school, that if she was a lady she would like to do so-and-so for her uncle - don't you see? - and buy hi
oil painting
m such-and-such fine things.' ¡¡¡¡'I assure you, Mr. Omer, she has said so to me,' I returned eagerly, 'when we were both children.' ¡¡¡¡Mr. Omer nodded his head and rubbed his chin. 'Just so. Then out of a very little, she could dress herself, you see, better than most others could out of a deal, and that made things unpleasant. Moreover, she was rather what might be called wayward - I'll go so far as to say what I should call wayward myself,' said Mr. Omer; '- didn't know her own mind quite - a little spoiled - and couldn't, at first, exactly bind herself down. No more than that was ever said against her, Minnie?' ¡¡¡¡'No, father,' said Mrs. Joram. 'That's the worst, I believe.'

famous painting

famous painting
claude monet painting
mona lisa painting
canvas painting
'Nonsense, father!' cried Minnie. ¡¡¡¡'My dear,' said Mr. Omer, 'I don't say it's the case with you,' winking at me, 'but I say that half the women in Yarmouth - ah! and in five mile round - are mad against that girl.' ¡¡¡¡'Then she should have kept to her own station in life, father,' said Minnie, 'and not have given them any hold to talk about her, and then they couldn't have done it.' ¡¡¡¡'Couldn't have done it, my dear!' retorted Mr. Omer. 'Couldn't have done it! Is that YOUR knowledge of life? What is there that any woman couldn't do, that she shouldn't do - especially on the subject of another woman's good looks?' ¡¡¡¡I really thought i
oil painting
t was all over with Mr. Omer, after he had uttered this libellous pleasantry. He coughed to that extent, and his breath eluded all his attempts to recover it with that obstinacy, that I fully expected to see his head go down behind the counter, and his little black breeches, with the rusty little bunches of ribbons at the knees, come quivering up in a last ineffectual struggle. At length, however, he got better, though he still panted hard, and was so exhausted that he was obliged to sit on the stool of the shop-desk.

Gather ye rosebuds while ye may

Gather ye rosebuds while ye may
girl with a pearl earring vermeer
Gustav Klimt Kiss painting
Head of Christ
¡¡¡¡Mr. Dick had regularly assisted at our councils, with a meditative and sage demeanour. He never made a suggestion but once; and on that occasion (I don't know what put it in his head), he suddenly proposed that I should be 'a Brazier'. My aunt received this proposal so very ungraciously, that he never ventured on a second; but ever afterwards confined himself to looking watchfully at her for her suggestions, and rattling his money. ¡¡¡¡'Trot, I tell you what, my dear,' said my aunt, one morning in the Christmas season when I left school: 'as this knotty point is still unsettled, and as we must not make a mistake in our decision if w
oil painting
e can help it, I think we had better take a little breathing-time. In the meanwhile, you must try to look at it from a new point of view, and not as a schoolboy.' ¡¡¡¡'I will, aunt.' ¡¡¡¡'It has occurred to me,' pursued my aunt, 'that a little change, and a glimpse of life out of doors, may be useful in helping you to know your own mind, and form a cooler judgement. Suppose you were to go down into the old part of the country again, for instance, and see that - that out-of-the-way woman with the savagest of names,' said my aunt, rubbing her nose, for she could never thoroughly forgive Peggotty for being so called. ¡¡¡¡'Of all things in the world, aunt, I should like it best!'

Christ In The Storm On The Sea Of Galilee

Christ In The Storm On The Sea Of Galilee
Dance Me to the End of Love
Evening Mood painting
female nude reclining
flaming june painting
and the wonderful effects he could not fail to make upon society, lured me away. So powerful were these visionary considerations in my boyish mind, that I seem, according to my present way of thinking, to have left school without natural regret. The separation has not made the impression on me, that other separations have. I try in vain to recall how I felt about it, and what its circumstances were; but it is not momentous in my recollection. I suppose the opening prospect confused me. I know that my juvenile experiences went for little or nothing then; and that life was more like a great fairy story, which I was just about to begin to read, than anything else. ¡¡¡¡MY aunt and I had held many grave deliberations on the calling to which I should be devoted. For
oil painting
a year or more I had endeavoured to find a satisfactory answer to her often-repeated question, 'What I would like to be?' But I had no particular liking, that I could discover, for anything. If I could have been inspired with a knowledge of the science of navigation, taken the command of a fast-sailing expedition, and gone round the world on a triumphant voyage of discovery, I think I might have considered myself completely suited. But, in the absence of any such miraculous provision, my desire was to apply myself to some pursuit that would not lie too heavily upon her purse; and to do my duty in it, whatever it might be.

Claude Monet Boulevard des Capucines

Claude Monet Boulevard des Capucines
Boulevard des Capucines
Charity painting
Christ In The Storm On The Sea Of Galilee
Dance Me to the End of Love
'Not you, I suppose, Agnes?' ¡¡¡¡'Not me!' raising her cheerful face from the music she is copying. 'Do you hear him, Papa? - The eldest Miss Larkins.' ¡¡¡¡'To - to Captain Bailey?' I have just enough power to ask. ¡¡¡¡'No; to no Captain. To Mr. Chestle, a hop-grower.' ¡¡¡¡I am terribly dejected for about a week or two. I take off my ring, I wear my worst clothes, I use no bear's grease, and I frequently lament over the late Miss Larkins's faded flower. Being, by that time, rather tired of this kind of life, and having received new provocation from the butcher, I throw the flower away, go out with the butcher, and gloriously defeat him.
oil painting
¡¡¡¡This, and the resumption of my ring, as well as of the bear's grease in moderation, are the last marks I can discern, now, in my progress to seventeen. ¡¡¡¡ ¡¡¡¡¡¡¡¡CHAPTER 19 I LOOK ABOUT ME, AND MAKE A DISCOVERY ¡¡¡¡ I am doubtful whether I was at heart glad or sorry, when my school-days drew to an end, and the time came for my leaving Doctor Strong's. I had been very happy there, I had a great attachment for the Doctor, and I was eminent and distinguished in that little world. For these reasons I was sorry to go; but for other reasons, unsubstantial enough, I was glad. Misty ideas of being a young man at my own disposal, of the importance attaching to a young man at his own disposal, of the wonderful things to be seen and done by that magnificent animal

A Greek Beauty

A Greek Beauty
A Lily Pond
Absence Makes the Heart Grow Fonder
American Day Dream
She gives it me, not displeased; and I put it to my lips, and then into my breast. Miss Larkins, laughing, draws her hand through my arm, and says, 'Now take me back to Captain Bailey.' ¡¡¡¡I am lost in the recollection of this delicious interview, and the waltz, when she comes to me again, with a plain elderly gentleman who has been playing whist all night, upon her arm, and says: ¡¡¡¡'Oh! here is my bold friend! Mr. Chestle wants to know you, Mr. Copperfield.' ¡¡¡¡I feel at once that he is a friend of the family, and am much gratified. ¡¡¡¡'I admire your taste, sir,' says Mr. Chestle. 'It does you credit. I suppose you don't take much interest in hops; but I am a pretty large grower myself; and if you ever like to come over to our neighbourhood - neighbourhood of Ashford -
oil painting
and take a run about our place, -we shall be glad for you to stop as long as you like.' ¡¡¡¡I thank Mr. Chestle warmly, and shake hands. I think I am in a happy dream. I waltz with the eldest Miss Larkins once again. She says I waltz so well! I go home in a state of unspeakable bliss, and waltz in imagination, all night long, with my arm round the blue waist of my dear divinity. For some days afterwards, I am lost in rapturous reflections; but I neither see her in the street, nor when I call. I am imperfectly consoled for this disappointment by the sacred pledge, the perished flower. ¡¡¡¡'Trotwood,' says Agnes, one day after dinner. 'Who do you think is going to be married tomorrow? Someone you admire.'

art painting on canvas

art painting on canvas
chinese art painting
art painting for sale
acrylic art painting
also, I bestow upon Miss Shepherd; and oranges innumerable. Once, I kiss Miss Shepherd in the cloak-room. Ecstasy! What are my agony and indignation next day, when I hear a flying rumour that the Misses Nettingall have stood Miss Shepherd in the stocks for turning in her toes! ¡¡¡¡Miss Shepherd being the one pervading theme and vision of my life, how do I ever come to break with her? I can't conceive. And yet a coolness grows between Miss Shepherd and myself. Whispers reach me of Miss Shepherd having said she wished I wouldn't stare so, and having avowed a preference for Master Jones - for Jones! a boy of no merit whatever! The gulf between me and Miss Shepherd widens. At last, one day, I meet the Misses Nettingalls' establishment out walking.
oil painting
Miss Shepherd makes a face as she goes by, and laughs to her companion. All is over. The devotion of a life - it seems a life, it is all the same - is at an end; Miss Shepherd comes out of the morning service, and the Royal Family know her no more. ¡¡¡¡I am higher in the school, and no one breaks my peace. I am not at all polite, now, to the Misses Nettingalls' young ladies, and shouldn't dote on any of them, if they were twice as many and twenty times as beautiful. I think the dancing-school a tiresome affair, and wonder why the girls can't dance by themselves and leave us alone

fine art painting landscape

fine art painting landscape
art painting gallery
art deco painting
pop art painting
¡¡¡¡But who is this that breaks upon me? This is Miss Shepherd, whom I love. ¡¡¡¡Miss Shepherd is a boarder at the Misses Nettingalls' establishment. I adore Miss Shepherd. She is a little girl, in a spencer, with a round face and curly flaxen hair. The Misses Nettingalls' young ladies come to the Cathedral too. I cannot look upon my book, for I must look upon Miss Shepherd. When the choristers chaunt, I hear Miss Shepherd. In the service I mentally insert Miss Shepherd's name - I put her in among the Royal Family. At home, in my own room, I am sometimes moved to cry out, 'Oh, Miss Shepherd!' in a transport of love. ¡¡¡¡Fo
oil painting
r some time, I am doubtful of Miss Shepherd's feelings, but, at length, Fate being propitious, we meet at the dancing-school. I have Miss Shepherd for my partner. I touch Miss Shepherd's glove, and feel a thrill go up the right arm of my jacket, and come out at my hair. I say nothing to Miss Shepherd, but we understand each other. Miss Shepherd and myself live but to be united. ¡¡¡¡Why do I secretly give Miss Shepherd twelve Brazil nuts for a present, I wonder? They are not expressive of affection, they are difficult to pack into a parcel of any regular shape, they are hard to crack, even in room doors, and they are oily when cracked; yet I feel that they are appropriate to Miss Shepherd. Soft, seedy biscuits

famous art painting

famous art painting
nude art painting
fine art painting landscape
art painting gallery
¡¡¡¡ My school-days! The silent gliding on of my existence - the unseen, unfelt progress of my life - from childhood up to youth! Let me think, as I look back upon that flowing water, now a dry channel overgrown with leaves, whether there are any marks along its course, by which I can remember how it ran. ¡¡¡¡A moment, and I occupy my place in the Cathedral, where we all went together, every Sunday morning, assembling first at school for that purpose. The earthy smell, the sunless air, the sensation of the world being shut out, the resounding of the organ through the black and white arched galleries and aisles,
oil painting
are wings that take me back, and hold me hovering above those days, in a half-sleeping and half-waking dream. ¡¡¡¡I am not the last boy in the school. I have risen in a few months, over several heads. But the first boy seems to me a mighty creature, dwelling afar off, whose giddy height is unattainable. Agnes says 'No,' but I say 'Yes,' and tell her that she little thinks what stores of knowledge have been mastered by the wonderful Being, at whose place she thinks I, even I, weak aspirant, may arrive in time. He is not my private friend and public patron, as Steerforth was, but I hold him in a reverential respect. I chiefly wonder what he'll be, when he leaves Doctor Strong's, and what mankind will do to maintain any place against him.

art work painting

art work painting
abstract art painting
famous art painting
nude art painting
'Let the wretched man who now addresses you, my dear Copperfield, be a beacon to you through life. He writes with that intention, and in that hope. If he could think himself of so much use, one gleam of day might, by possibility, penetrate into the cheerless dungeon of his remaining existence - though his longevity is, at present (to say the least of it), extremely problematical. ¡¡¡¡'This is the last communication, my dear Copperfield, you will ever receive ¡¡¡¡ 'From ¡¡¡¡ 'The ¡¡¡¡ 'Beggared Outcast, ¡¡¡¡ 'WILKINS MICAWBER.' ¡¡¡¡ I was so shocked by the contents of this heart-rending letter, that I ran off directly towards the little hotel with the intention of taking it on my way to Doctor Strong's, and trying to soothe Mr. Micawber with a word of comfort. But
oil painting
, half-way there, I met the London coach with Mr. and Mrs. Micawber up behind; Mr. Micawber, the very picture of tranquil enjoyment, smiling at Mrs. Micawber's conversation, eating walnuts out of a paper bag, with a bottle sticking out of his breast pocket. As they did not see me, I thought it best, all things considered, not to see them. So, with a great weight taken off my mind, I turned into a by-street that was the nearest way to school, and felt, upon the whole, relieved that they were gone; though I still liked them very much, nevertheless. ¡¡¡¡

Wednesday, December 26, 2007

painting idea

painting idea
floral oil painting
michelangelo painting
oil painting artist
¡¡¡¡My eyes, however, not being so much under control as my tongue, were attracted towards my aunt very often during breakfast. I never could look at her for a few moments together but I found her looking at me - in an odd thoughtful manner, as if I were an immense way off, instead of being on the other side of the small round table. When she had finished her breakfast, my aunt very deliberately leaned back in her chair, knitted her brows, folded her arms, and contemplated me at her leisure
oil painting
, with such a fixedness of attention that I was quite overpowered by embarrassment. Not having as yet finished my own breakfast, I attempted to hide my confusion by proceeding with it; but my knife tumbled over my fork, my fork tripped up my knife, I chipped bits of bacon a surprising height into the air instead of cutting them for my own eating, and choked myself with my tea, which persisted in going the wrong way instead of the right one, until I gave in altogether, and sat blushing under my aunt's close scrutiny. ¡¡¡¡'Hallo!' said my aunt, after a long time. ¡¡¡¡I looked up, and met her sharp bright glance respectfully. ¡¡¡¡'I have written to him,' said my aunt.

oil painting artist

oil painting artist
nude oil painting
oil painting from picture
famous painting
The room was a pleasant one, at the top of the house, overlooking the sea, on which the moon was shining brilliantly. After I had said my prayers, and the candle had burnt out, I remember how I still sat looking at the moonlight on the water, as if I could hope to read my fortune in it, as in a bright book; or to see my mother with her child, coming from Heaven, along that shining path, to look upon me as she had looked when I last saw her sweet face. I remember how the solemn feeling with which at length I turned my eyes away, yielded to the sensation of gratitude and rest which the sight of the white-curtained bed - a
oil painting
nd how much more the lying softly down upon it, nestling in the snow-white sheets! - inspired. I remember how I thought of all the solitary places under the night sky where I had slept, and how I prayed that I never might be houseless any more, and never might forget the houseless. I remember how I seemed to float, then, down the melancholy glory of that track upon the sea, away into the world of dreams. ¡¡¡¡ ¡¡¡¡¡¡¡¡CHAPTER 14 MY AUNT MAKES UP HER MIND ABOUT ME ¡¡¡¡ On going down in the morning, I found my aunt musing so profoundly over the breakfast table, with her elbow on the tray, that the contents of the urn had overflowed the teapot and were laying the whole table-cloth under water, when my entrance put her meditations to flight. I felt sure that I had been the subject of her reflections, and was more than ever anxious to know her intentions towards me. Yet I dared not express my anxiety, lest it should give her offence.

oil painting from picture

oil painting from picture
famous painting
claude monet painting
'Oh!' said Mr. Dick. 'Yes. Do with - I should put him to bed.' ¡¡¡¡'Janet!' cried my aunt, with the same complacent triumph that I had remarked before. 'Mr. Dick sets us all right. If the bed is ready, we'll take him up to it.' ¡¡¡¡Janet reporting it to be quite ready, I was taken up to it; kindly, but in some sort like a prisoner; my aunt going in front and Janet bringing up the rear. The only circumstance which gave me any new hope, was my aunt's stopping on the stairs to inquire about a
oil painting
smell of fire that was prevalent there; and janet's replying that she had been making tinder down in the kitchen, of my old shirt. But there were no other clothes in my room than the odd heap of things I wore; and when I was left there, with a little taper which my aunt forewarned me would burn exactly five minutes, I heard them lock my door on the outside. Turning these things over in my mind I deemed it possible that my aunt, who could know nothing of me, might suspect I had a habit of running away, and took precautions, on that account, to have me in safe keeping.

claude monet painting

claude monet painting
mona lisa painting
canvas painting
animal painting
¡¡¡¡'Well, well!' said my aunt, 'the child is right to stand by those who have stood by him - Janet! Donkeys!' ¡¡¡¡I thoroughly believe that but for those unfortunate donkeys, we should have come to a good understanding; for my aunt had laid her hand on my shoulder, and the impulse was upon me, thus emboldened, to embrace her and beseech her protection. But the interruption, and the disorder she was thrown into by the struggle outside, put an end to all softer ideas for the present, and kept my aunt indignantly declaiming to Mr. Dick about her determination to appeal for redress to the laws of her country, and to bring
oil painting
actions for trespass against the whole donkey proprietorship of Dover, until tea-time. ¡¡¡¡After tea, we sat at the window - on the look-out, as I imagined, from my aunt's sharp expression of face, for more invaders - until dusk, when Janet set candles, and a backgammon-board, on the table, and pulled down the blinds. ¡¡¡¡'Now, Mr. Dick,' said my aunt, with her grave look, and her forefinger up as before, 'I am going to ask you another question. Look at this child.' ¡¡¡¡'David's son?' said Mr. Dick, with an attentive, puzzled face. ¡¡¡¡'Exactly so,' returned my aunt. 'What would you do with him, now?' ¡¡¡¡'Do with David's son?' said Mr. Dick. ¡¡¡¡'Ay,' replied my aunt, 'with David's son.'

contemporary painting

contemporary painting
famous landscape painting
american landscape painting
english landscape painting
'Yes,' pursued my aunt, 'and he has done a pretty piece of business. He has run away. Ah! His sister, Betsey Trotwood, never would have run away.' My aunt shook her head firmly, confident in the character and behaviour of the girl who never was born. ¡¡¡¡'Oh! you think she wouldn't have run away?' said Mr. Dick. ¡¡¡¡'Bless and save the man,' exclaimed my aunt, sharply, 'how he talks! Don't I know she wouldn't? She would have lived with her god-mother, and we should have been devoted to one another. Where, in the name of wonder, should his sister, Betsey Trotwood, have run from, or to?' ¡¡¡¡'Nowhere,' said Mr. Dick
oil painting
. ¡¡¡¡'Well then,' returned my aunt, softened by the reply, 'how can you pretend to be wool-gathering, Dick, when you are as sharp as a surgeon's lancet? Now, here you see young David Copperfield, and the question I put to you is, what shall I do with him?' ¡¡¡¡'What shall you do with him?' said Mr. Dick, feebly, scratching his head. 'Oh! do with him?' ¡¡¡¡'Yes,' said my aunt, with a grave look, and her forefinger held up. 'Come! I want some very sound advice.' ¡¡¡¡'Why, if I was you,' said Mr. Dick, considering, and looking vacantly at me, 'I should -' The contemplation of me seemed to inspire him with a sudden idea, and he added, briskly, 'I should wash him!'

fine art painting for sale

fine art painting for sale
art painting picture
wall art painting
fantasy art painting
¡¡¡¡Janet looked a little surprised to see me lying stiffly on the sofa (I was afraid to move lest it should be displeasing to my aunt), but went on her errand. My aunt, with her hands behind her, walked up and down the room, until the gentleman who had squinted at me from the upper window came in laughing. ¡¡¡¡'Mr. Dick,' said my aunt, 'don't be a fool, because nobody can be more discreet than you can, when you choose. We all know that. So don't be a fool, whatever you are.' ¡¡¡¡The gentleman was serious immediately, and looked at me, I thought, as if he would entreat me to say nothing about the window. ¡¡¡¡'Mr. Dick,' said my aunt, 'you have heard me mention David Copperfield? Now don't pretend not to have a memory, because you and I know better.' ¡¡¡¡'David C
oil painting
opperfield?' said Mr. Dick, who did not appear to me to remember much about it. 'David Copperfield? Oh yes, to be sure. David, certainly.' ¡¡¡¡'Well,' said my aunt, 'this is his boy - his son. He would be as like his father as it's possible to be, if he was not so like his mother, too.' ¡¡¡¡'His son?' said Mr. Dick. 'David's son? Indeed!'

wall art painting

wall art painting
fantasy art painting
western art painting
realism art painting
¡¡¡¡'I am David Copperfield, of Blunderstone, in Suffolk - where you came, on the night when I was born, and saw my dear mama. I have been very unhappy since she died. I have been slighted, and taught nothing, and thrown upon myself, and put to work not fit for me. It made me run away to you. I was robbed at first setting out, and have walked all the way, and have never slept in a bed since I began the journey.' Here my self-support gave way all at once; and with a movement of my hands, intended to show her my ragged state, and call it to witness that I had suffered something, I broke into a passion of crying, which I suppose had been pent up within me all the week. ¡¡¡¡My aunt, with every sort of expression but wonder discharged from her countenance, sat on the gravel, staring at me, until I began to cry; when she got up in a great hurry, collared me, and took me into the parlour. Her first proceedin
oil painting
g there was to unlock a tall press, bring out several bottles, and pour some of the contents of each into my mouth. I think they must have been taken out at random, for I am sure I tasted aniseed water, anchovy sauce, and salad dressing. When she had administered these restoratives, as I was still quite hysterical, and unable to control my sobs, she put me on the sofa, with a shawl under my head, and the handkerchief from her own head under my feet, lest I should sully the cover; and then, sitting herself down behind the green fan or screen I have already mentioned, so that I

western art painting

western art painting
realism art painting
abstract acrylic painting
abstract seascape painting
of the house a lady with her handkerchief tied over her cap, and a pair of gardening gloves on her hands, wearing a gardening pocket like a toll-man's apron, and carrying a great knife. I knew her immediately to be Miss Betsey, for she came stalking out of the house exactly as my poor mother had so often described her stalking up our garden at Blunderstone Rookery. ¡¡¡¡'Go away!' said Miss Betsey, shaking her head, and making a distant chop in the air with her knife. 'Go along! No boys here!'
oil painting
¡¡¡¡I watched her, with my heart at my lips, as she marched to a corner of her garden, and stooped to dig up some little root there. Then, without a scrap of courage, but with a great deal of desperation, I went softly in and stood beside her, touching her with my finger. ¡¡¡¡'If you please, ma'am,' I began. ¡¡¡¡She started and looked up. ¡¡¡¡'If you please, aunt.' ¡¡¡¡'EH?' exclaimed Miss Betsey, in a tone of amazement I have never heard approached. 'If you please, aunt, I am your nephew.' ¡¡¡¡'Oh, Lord!' said my aunt. And sat flat down in the garden-path.

abstract seascape painting

abstract seascape painting
abstract woman painting
african abstract painting
figurative abstract painting
¡¡¡¡My shoes were by this time in a woeful condition. The soles had shed themselves bit by bit, and the upper leathers had broken and burst until the very shape and form of shoes had departed from them. My hat (which had served me for a night-cap, too) was so crushed and bent, that no old battered handleless saucepan on a dunghill need have been ashamed to vie with it. My shirt and trousers, stained with heat, dew, grass, and the Kentish soil on which I had slept - and torn besides - might have frightened the birds from my aunt's garden, as I stood at the gate. My hair had known no comb or brush since I left London. My face, neck,
oil painting
and hands, from unaccustomed exposure to the air and sun, were burnt to a berry-brown. From head to foot I was powdered almost as white with chalk and dust, as if I had come out of a lime-kiln. In this plight, and with a strong consciousness of it, I waited to introduce myself to, and make my first impression on, my formidable aunt. ¡¡¡¡The unbroken stillness of the parlour window leading me to infer, after a while, that she was not there, I lifted up my eyes to the window above it, where I saw a florid, pleasant-looking gentleman, with a grey head, who shut up one eye in a grotesque manner, nodded his head at me several times, shook it at me as often, laughed, and went away.

The Jewel Casket

The Jewel Casket
The Kitchen Maid
The Lady of Shalott
the night watch by rembrandt
¡¡¡¡Yet I held some station at Murdstone and Grinby's too. Besides that Mr. Quinion did what a careless man so occupied, and dealing with a thing so anomalous, could, to treat me as one upon a different footing from the rest, I never said, to man or boy, how it was that I came to be there, or gave the least indication of being sorry that I was there. That I suffered in secret, and that I suffered exquisitely, no one ever knew but I. How much I suffered, it is, as I have said already, utterly beyond my power to tell. But I kept my own counsel, and I did my work. I knew from the first, that, if I could not do my work as well as any of the rest, I could not hold myself above slight and contempt. I soon became at least as expeditious and as skilful as either of the other boys.
oil painting
Though perfectly familiar with them, my conduct and manner were different enough from theirs to place a space between us. They and the men generally spoke of me as 'the little gent', or 'the young Suffolker.' A certain man named Gregory, who was foreman of the packers, and another named Tipp, who was the carman, and wore a red jacket, used to address me sometimes as 'David': but I think it was mostly when we were very confidential, and when I had made some efforts to entertain them, over our work, with some results of the old readings; which were fast perishing out of my remembrance. Mealy Potatoes uprose once, and rebelled against my being so distinguished; but Mick Walker settled him in no time.

seated nude

seated nude
Spring Breeze
Sweet Nothings
The Abduction of Psyche
¡¡¡¡The landlord looked at me in return over the bar, from head to foot, with a strange smile on his face; and instead of drawing the beer, looked round the screen and said something to his wife. She came out from behind it, with her work in her hand, and joined him in surveying me. Here we stand, all three, before me now. The landlord in his shirt-sleeves, leaning against the bar window-frame; his wife looking over the little half-door; and I, in some confusion, looking up at them from outside the partition. They asked me a good many questions; as, what my name was, how old I was, where I lived, how I was employed, and how I came there. To all of which, that I might commit nobody, I invented, I am afraid, appropriate answers. They served me with the ale, thou
oil painting
gh I suspect it was not the Genuine Stunning; and the landlord's wife, opening the little half-door of the bar, and bending down, gave me my money back, and gave me a kiss that was half admiring and half compassionate, but all womanly and good, I am sure. ¡¡¡¡I know I do not exaggerate, unconsciously and unintentionally, the scantiness of my resources or the difficulties of my life. I know that if a shilling were given me by Mr. Quinion at any time, I spent it in a dinner or a tea. I know that I worked, from morning until night, with common men and boys, a shabby child. I know that I lounged about the streets, insufficiently and unsatisfactorily fed. I know that, but for the mercy of God, I might easily have been, for any care that was taken of me, a little robber or a little vagabond.

Rembrandt Biblical Scene

Rembrandt Biblical Scene
Rembrandt The Jewish Bride
Return of the Prodigal Son
Samson And Delilah
We had half-an-hour, I think, for tea. When I had money enough, I used to get half-a-pint of ready-made coffee and a slice of bread and butter. When I had none, I used to look at a venison shop in Fleet Street; or I have strolled, at such a time, as far as Covent Garden Market, and stared at the pineapples. I was fond of wandering about the Adelphi, because it was a mysterious place, with those dark arches. I see myself emerging one evening from some of these arches, on a little public-house close to the river, with an open space before it, where some coal-heavers were dancing; to look at whom I sat down upon a bench. I
oil painting
wonder what they thought of me! ¡¡¡¡I was such a child, and so little, that frequently when I went into the bar of a strange public-house for a glass of ale or porter, to moisten what I had had for dinner, they were afraid to give it me. I remember one hot evening I went into the bar of a public-house, and said to the landlord: 'What is your best - your very best - ale a glass?' For it was a special occasion. I don't know what. It may have been my birthday. ¡¡¡¡'Twopence-halfpenny,' says the landlord, 'is the price of the Genuine Stunning ale.' ¡¡¡¡'Then,' says I, producing the money, 'just draw me a glass of the Genuine Stunning, if you please, with a good head to it.'

Nighthawks Hopper

Nighthawks Hopper
Nude on the Beach
One Moment in Time
precious time
latter was in the Strand - somewhere in that part which has been rebuilt since. It was a stout pale pudding, heavy and flabby, and with great flat raisins in it, stuck in whole at wide distances apart. It came up hot at about my time every day, and many a day did I dine off it. When I dined regularly and handsomely, I had a saveloy and a penny loaf, or a fourpenny plate of red beef from a cook's shop; or a plate of bread and cheese and a glass of beer, from a miserable old public-house opposite o
oil painting
ur place of business, called the Lion, or the Lion and something else that I have forgotten. Once, I remember carrying my own bread (which I had brought from home in the morning) under my arm, wrapped in a piece of paper, like a book, and going to a famous alamode beef-house near Drury Lane, and ordering a 'small plate' of that delicacy to eat with it. What the waiter thought of such a strange little apparition coming in all alone, I don't know; but I can see him now, staring at me as I ate my dinner, and bringing up the other waiter to look. I gave him a halfpenny for himself, and I wish he hadn't taken it.

Tuesday, December 25, 2007

modern landscape painting

modern landscape painting
flower landscape oil painting
mountain landscape painting
fine art oil painting
'Good night, sir,' I replied. ¡¡¡¡I thought of him very much after I went to bed, and raised myself, I recollect, to look at him where he lay in the moonlight, with his handsome face turned up, and his head reclining easily on his arm. He was a person of great power in my eyes; that was, of course, the reason of my mind running on him. No veiled future dimly glanced upon him in the moonbeams. There was no shadowy picture of his footsteps, in the garden that I dreamed of walking in all night. ¡¡¡¡ ¡¡¡¡¡¡¡¡CHAPTER 7 MY 'FIRST HALF' AT SALEM HOUSE ¡¡¡¡ School began in earnest next day. A profound impression was made upon me, I remember, by the roar of voices in the schoolroom suddenly becoming hushed as death when Mr. Creakle entered afte
oil painting
r breakfast, and stood in the doorway looking round upon us like a giant in a story-book surveying his captives. ¡¡¡¡Tungay stood at Mr. Creakle's elbow. He had no occasion, I thought, to cry out 'Silence!' so ferociously, for the boys were all struck speechless and motionless. ¡¡¡¡Mr. Creakle was seen to speak, and Tungay was heard, to this effect. ¡¡¡¡'Now, boys, this is a new half. Take care what you're about, in this new half. Come fresh up to the lessons, I advise you, for I come fresh up to the punishment. I won't flinch. It will be of no use your rubbing yourselves; you won't rub the marks out that I shall give you. Now get to work, every boy!'

abstract landscape painting

abstract landscape painting
landscape painting sale
famous landscape painting
american landscape painting
I heard that one boy, who was a coal-merchant's son, came as a set-off against the coal-bill, and was called, on that account, 'Exchange or Barter' - a name selected from the arithmetic book as expressing this arrangement. I heard that the table beer was a robbery of parents, and the pudding an imposition. I heard that Miss Creakle was regarded by the school in general as being in love with Steerforth; and I am sure, as I sat in the dark, thinking of his nice voice, and his fine face, and his easy manner, and his curling hair, I thought it very likely. I heard that Mr. Mell was not a bad sort of fellow, but hadn't a sixpence
oil painting
to bless himself with; and that there was no doubt that old Mrs. Mell, his mother, was as poor as job. I thought of my breakfast then, and what had sounded like 'My Charley!' but I was, I am glad to remember, as mute as a mouse about it. ¡¡¡¡The hearing of all this, and a good deal more, outlasted the banquet some time. The greater part of the guests had gone to bed as soon as the eating and drinking were over; and we, who had remained whispering and listening half-undressed, at last betook ourselves to bed, too. 'Good night, young Copperfield,' said Steerforth. 'I'll take care of you.' 'You're very kind,' I gratefully returned. 'I am very much obliged to you.' ¡¡¡¡'You haven't got a sister, have you?' said Steerforth, yawning. ¡¡¡¡'No,' I answered. 'That's a pity,' said Steerforth. 'If you had had one, I should think she would have been a pretty, timid, little, bright-eyed sort of girl. I should have liked to know her. Good night, young Copperfield.'

landscape art painting

landscape art painting
contemporary landscape painting
acrylic landscape painting
supposed, besides, to have protested against his father's usage of his mother. I heard that Mr. Creakle had turned him out of doors, in consequence; and that Mrs. and Miss Creakle had been in a sad way, ever since. ¡¡¡¡But the greatest wonder that I heard of Mr. Creakle was, there being one boy in the school on whom he never ventured to lay a hand, and that boy being J. Steerforth. Steerforth himself confirmed this when it was stated, and said that he should like to begin to see him do it. On being asked by a mild boy (not me) how he would proceed if he did begin to see him do it, he dipped a match into his phosphorus-box on purpose to shed a glare over his reply, and said he would commence by knocking him down with a blow on the forehead f
oil painting
rom the seven-and-sixpenny ink-bottle that was always on the mantelpiece. We sat in the dark for some time, breathless. ¡¡¡¡I heard that Mr. Sharp and Mr. Mell were both supposed to be wretchedly paid; and that when there was hot and cold meat for dinner at Mr. Creakle's table, Mr. Sharp was always expected to say he preferred cold; which was again corroborated by J. Steerforth, the only parlour-boarder. I heard that Mr. Sharp's wig didn't fit him; and that he needn't be so 'bounceable' - somebody else said 'bumptious' - about it, because his own red hair was very plainly to be seen behind.

contemporary painting

contemporary painting
art painting reproduction
fine art landscape painting
chinese landscape painting
¡¡¡¡I heard all kinds of things about the school and all belonging to it. I heard that Mr. Creakle had not preferred his claim to being a Tartar without reason; that he was the sternest and most severe of masters; that he laid about him, right and left, every day of his life, charging in among the boys like a trooper, and slashing away, unmercifully. That he knew nothing himself, but the art of slashing, being more ignorant (J. Steerforth said) than the lowest boy in the school; that he had been, a good many years ago, a small hop-dealer in the Borough, and had taken to the schooling business after being bankrupt in hops, and making away with Mrs. Creakle's money. With a good deal more of that sort, which I wondered how they knew. ¡¡¡¡I heard that the man with the wood
oil painting
en leg, whose name was Tungay, was an obstinate barbarian who had formerly assisted in the hop business, but had come into the scholastic line with Mr. Creakle, in consequence, as was supposed among the boys, of his having broken his leg in Mr. Creakle's service, and having done a deal of dishonest work for him, and knowing his secrets. I heard that with the single exception of Mr. Creakle, Tungay considered the whole establishment, masters and boys, as his natural enemies, and that the only delight of his life was to be sour and malicious. I heard that Mr. Creakle had a son, who had not been Tungay's friend, and who, assisting in the school, had once held some remonstrance with his father on an occasion when its discipline was very cruelly exercised, and was

oil painting for sale

oil painting for sale
famous painting
claude monet painting
mona lisa painting
¡¡¡¡Peggotty cried out No! with an astonishing volume of voice; and then sat down, and began to pant, and said I had given her a turn. ¡¡¡¡I gave her a hug to take away the turn, or to give her another turn in the right direction, and then stood before her, looking at her in anxious inquiry. ¡¡¡¡'You see, dear, I should have told you before now,' said Peggotty, 'but I hadn't an opportunity. I ought to have made it, perhaps, but I couldn't azackly' - that was always the substitute for exactly, in Peggotty's militia of words - 'bring my mind to it.' ¡¡¡¡'Go on, Peggotty,' said I, more frightened than before. ¡¡¡¡'Master Davy,' said Peggotty, untying her bonnet with a shaking hand, and speaking in a breathless sort of way. 'What do you think? You have got a Pa!' ¡¡
oil painting
¡¡I trembled, and turned white. Something - I don't know what, or how - connected with the grave in the churchyard, and the raising of the dead, seemed to strike me like an unwholesome wind. ¡¡¡¡'A new one,' said Peggotty. ¡¡¡¡'A new one?' I repeated. ¡¡¡¡Peggotty gave a gasp, as if she were swallowing something that was very hard, and, putting out her hand, said: ¡¡¡¡'Come and see him.' ¡¡¡¡'I don't want to see him.' ¡¡¡¡- 'And your mama,' said Peggotty. ¡¡¡¡I ceased to draw back, and we went straight to the best parlour, where she left me. On one side of the fire, sat my mother; on the other, Mr. Murdstone. My mother dropped her work, and arose hurriedly, but timidly I thought.

monet painting

monet painting
canvas painting
animal painting
painting in oil
The door opened, and I looked, half laughing and half crying in my pleasant agitation, for my mother. It was not she, but a strange servant. ¡¡¡¡'Why, Peggotty!' I said, ruefully, 'isn't she come home?' ¡¡¡¡'Yes, yes, Master Davy,' said Peggotty. 'She's come home. Wait a bit, Master Davy, and I'll - I'll tell you something.' ¡¡¡¡Between her agitation, and her natural awkwardness in getting out of the cart, Peggotty was making a most extraordinary festoon of herself, but I felt too blank and strange to tell her so. When she had got down, she took me by the hand; led me, wondering, into the kitchen; and shut the door. ¡¡¡¡'Peggotty!
oil painting
' said I, quite frightened. 'What's the matter?' ¡¡¡¡'Nothing's the matter, bless you, Master Davy dear!' she answered, assuming an air of sprightliness. ¡¡¡¡'Something's the matter, I'm sure. Where's mama?' ¡¡¡¡'Where's mama, Master Davy?' repeated Peggotty. ¡¡¡¡'Yes. Why hasn't she come out to the gate, and what have we come in here for? Oh, Peggotty!' My eyes were full, and I felt as if I were going to tumble down. ¡¡¡¡'Bless the precious boy!' cried Peggotty, taking hold of me. 'What is it? Speak, my pet!' ¡¡¡¡'Not dead, too! Oh, she's not dead, Peggotty?'